Dry-hire and crewed rental from a clean, road-tested inventory. Lighting, LED, audio, lasers, trussing, and power — available across the South-Central US.
How rental works: Inventory below is representative — if you don’t see exactly what you need, ask. We can sub-rent through our network, and most packages can be configured dry, with a tech, or fully crewed. Pricing is per-day with multi-day discounts and includes road cases, cabling, and standard mounting hardware.
High-output LED moving spots with framing shutters and gobo wheels. Available in 350W and 600W classes.
LED wash moving heads with zoom and pixel-control rings. Great for color washes, eye candy, and audience light.
Sharp-beam fixtures for aerial effects, prism shots, and high-energy looks. Built for fast movement and tight optics.
Battery and DMX-powered RGBW PARs for uplighting, stage wash, and atmosphere. Truss- or floor-mounted.
Atomic-style LED strobes and blinder bars. Punchy hits for drops, builds, and audience-facing moments.
DMX-controllable hazers and low-foggers. Quiet, water-based, venue-safe options for haze, beam definition, and reveal moments.
Fine-pitch indoor LED panels (P2.6 / P3.9). Tile up any size 16:9 or custom canvas. Includes processor and content playback.
Weather-rated LED panels (P4.8 / P5.9) with high nits for daylight visibility. Stage backdrops, IMAG, festival use.
See-through LED tiles for transparent or kinetic looks. Configurable into curtains, columns, and 3D shapes.
Laser-source projectors from 5K to 20K lumens. Edge-blending and mapping available for environmental projection.
4K confidence monitors for speakers and performers. Includes downstage and side-fill positions.
Multi-input video switchers, media servers, and content playback systems — with an operator if you want one.
Mid-format line array systems for 500–3,000 cap rooms. Flown or ground-stacked, with matched subwoofer arrays.
Self-powered point-source systems for corporate events, breakouts, and smaller rooms. Quick to deploy, easy to tune.
Avid, DiGiCo, Yamaha, and Allen & Heath digital consoles. FOH and monitor positions, full stage rack and snake.
Wireless IEM systems with frequency coordination, antenna distribution, and matched packs for whole-band rigs.
Handhelds, lavaliers, and headworn mics. RF-coordinated and ready for talks, theater, and live music.
Wired and wireless intercom systems for crew comms. Belt packs, base stations, headsets, and party-line breakout.
Diode-based RGB laser projectors from 5W to 40W. Beam shows, logo projection, sky beams, and audience scanning where permitted.
Pangolin-based control with full pre-programmed cues to your tracks, plus on-the-fly busking for live shows.
FDA-variance-aware operators for audience-scanning shows. We handle the safety zoning, paperwork, and on-site enforcement.
Aluminum box truss in standard lengths. Color-coded, road-cased, and ready to fly or ground-support.
Goal-post and 4-leg ground-support systems for venues without rigging points. Engineered to load with full-show weight.
1/2-ton and 1-ton CM motors with full motor control. Certified hardware, weight-tested, with rigger on call.
Camlock-in to L6-20 / L21-30 / U-ground breakouts. 100A and 200A bricks with full metering.
Feeder cable, multi-cable, and DMX runs cased and labeled by length. We bring spares for everything that can fail.
If shore power isn’t available, we’ll spec the gen-set and handle the tie-in. Quiet-run options for film and live audio.
Need a quote? Send us a date, a venue, and the rough gear list. We’ll come back the same day with a quote — or a few options at different budget tiers if you’re still flexing the plan. Multi-day, multi-week, and tour rates available.
Send dates and a gear list — or just describe the show and we’ll spec what fits.
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